Experience the drive of your life as you throw yourself around on and off the track causing fences to shatter, tyre walls explode, water tanks and barrels fly across the track into other cars.ģ. And with the ever popular Rag Doll mini-games from the original FlatOut making a welcome return and better than ever with 12 Rag Doll events, a Rag Doll Championship, FlatOut 2 is set to be the biggest, brashest and most destructive action racing game on the Windows.Ģ. The Iron Claw is released on 22 December in the US, and 9 February 2024 in the UK.1. A bit of sibling rivalry near the end lands as a relief, signalling – much too late – that these brothers are human after all. Those few deft touches don't go very far, though. Durkin doesn't depict the events, just the aftermath and effect on the family. A quick internet search can tell you about the tragedies, but they are surprises in the film, and shouldn't be spoiled. The drama eventually picks up when the disasters begin to hit. A triple-exposure of the brothers' faces reveals them enduring the physical pain that resulted from their sport. Durkin balances the wrestling and family scenes well, and in glimpses shows himself to be a fine filmmaker. Like so much in the film, that scene is psychologically ominous, but not deep.Įfron and White have transformed their bodies for their roles and do some amazing stunts in the ring, as the brothers leap on opponents or use the Von Erichs' signature move, the Iron Claw, bare hands crushing an opponent's skull. Moura Tierney plays the boys' deeply religious mother, who tells Kevin, when he wants to talk to her about a problem, "That's what your brothers are for". When a fan named Pam (a game Lily James) pursues Kevin, they start dating, and he tells her he wants nothing more in life than to be with his brothers, an intense bond that is asserted rather than fleshed out on screen. Durkin's far more accomplished films include The Nest (2020) and Martha Marcy May Marlene (2011), both of which shrewdly probe their characters' psychology, so The Iron Claw's shallowness and eventual treacliness are especially disappointing. Despite its committed and physically bulked-up actors – including Zac Efron, Jeremy Allen White and Harris Dickinson as three of the brothers – The Iron Claw is a flat narrative that spells things out in broad, neat terms. And although the Von Erichs may have been wrestling royalty, they never gained mainstream pop-culture fame, so most viewers can't fill in the blanks themselves. Wonka is 'relentlessly wacky and over the top'īut who are these characters? Durkin seems to take for granted that they're as fascinating to us as they are to him, instead of engaging us in his long-simmering enthusiasm. The dark heart of Japan's new masterpiece The real events are, indeed, one tragedy piled on another, and the film depicts a father who ruthlessly pushes his sons to fulfil his own dream of a world championship. In interviews he has said that ever since he was a boy in the UK, a wrestling fan, he has been fascinated by the five Von Erichs, brothers in Texas who were at the top of the sport in the 1980s. The Iron Claw, about a family of wrestlers whose lives are so tragic they feel cursed, is that project for Sean Durkin. It's tricky when filmmakers finally realise their passion project, the one they've hoped to make for years.
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